Abstract The East Texas Research Center is the depository for the materials of the African American Heritage Project which was started by Birdie Wade. The ETRC is also in the process of creating an interactive and educational website for the African American Heritage Project.

Content Description This collection has of minutes, programs, maps, and photographs pertaining to Nacogdoches County schools in the mid twentieth-century. There are also promissory notes, tax receipts, deeds, and receipt books for Lenvill B. Martin and his ancestors. Materials of particular interest to researchers might include: - Four oversize maps from c.1970 showing how Lenvill Martin, who was superintendent, planned the desegregation of Nacogdoches' schools (See Bundles 2-3). - Minutes and...

Scope and Contents Orignal and copies of photographs from the Sanctified Quarters in Nacogdoches, Texas. The Sanctified Quarter was an African American neighborhood located on the southeast side of Nacogdoches. By 1980, when University Drive was extended to Loop 224, a majority of the neighborhood was gone. The area was bordered by Shawnee St., Haywood St. and Deveraux St.

Scope and Contents The Richard S. Orton Collection consists of the photographs from two exhibits created by Orton and a series of 16 oral history interviews about African Americans in Nacogdoches County. The photographs capture authentic interactions between teachers and school children at several schools in Austin (1986-1990) and scenes of faith, family and life at Upshaw family reunions at County Line, an African American freedom colony in Nacogdoches County (1988-1998). The exhibit label text which appeared...

Scope and Contents This collection consists primarily of newspaper clippings and photographs (both originals and photocopies). Also present are nomination letters and letters of recommendation, copies of award certificates, biographical sketches, and several of Mrs. Glass’ publications. One item of note is an original Texas State Senate resolution granted in memorial of Willie Lee Glass in 1999.