Box 2
Contains 90 Results:
"Meditation," music: C. S. Morrison, Op. 60, 1896
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.
"Scales and Chords in All the Minor Keys for the Pianoforte," F. A. Schulz, 1896
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.
"El Capitan (March)," music: John Philip Sousa, 1896, 1897
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.
"Absent," music: John W. Metcalf, lyrics: Catherine Young Glen, 1899
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.
"Forgotten," music: Eugene Cowles, lyrics: anon., 1894
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.
"Newest School of Velocity for the Pianoforte," music: H. Berens, 1894
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.
"A Dream," music; J. C. Bartlett, lyrics: Charles B. Cory, 1895
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.
"After the Ball (Waltz)," music: Charles K. Harris, err. Jos. Clauder
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.
"Hearts and Flowers (Coeurs et Fleurs)," music: Theo. M. Tobani, Op. 245 (sonatinas, rondos, and other pieces by Kuhlau, Clementi, Haydn, etc.) (incomplete), 1893
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.
"Gems from Martha," music: F. van Flotow, err. Frank Percival, 1890
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.
"Schubert's Serenade," music: D. Krug, 1892
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.
"25 Etudes Op. 47," music: Stephen Heller, 1892
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.
"Chant du Berger (Song of the Shepherd)," music: M. de Colas
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.
"The Two Orphans (Waltz)," music: Henry Tissington, 1875
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.
"Eva Schottisch," music: I. Luckstone, 1877
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.
"Puck (March),'' music: Henry E. H. Benedict, Op. 5, 1879
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.
"Tidal Waves," music: Frank Conway, 1879
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.
"Put Me in My Little Bed," music: C. A. White, lyrics: Dexter Smith, 1870
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.
"El Fresco (Waltz)," music: Emma Kate Simmons, 1871
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.
"Ivy Leaf (Polka Schottisch)," music: Hans Krummacher, 1871
This collection consists primarily of sheet music for voice and piano from 1850 to 1920. There are also stamping patterns from 1883-1885.