Box 1
Contains 106 Results:
"Sweethearts' Rhapsody," composed by Grace Shumaker (1 page, handwritten and typed), 1946
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.
"Tears Won't Bring You Back," composed by Cal Devoll (1 page, handwritten), 1946
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.
"Texas Brags," composed by Bob Miketta (1 page, handwritten), 1977
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.
"Thinkin'," adapted from the song "On Top of Old Smokey" (1 page, handwritten), 1957
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.
"Thirteen" (same as "Soundtrack"), composed by Bob Miketta (1 page, typed), 1957
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.
"The Thought of Losing You," composed by J. Rosamond Johnson (3 pages, handwritten), 1944
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.
"Unless My Heart Deceives Me," composed by Edgar Battle (1 page, handwritten), 1955
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.
"When the Fireflies Light the Bayou," composed by Mariam Gillespie (3 pages, handwritten), 1946
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.
"When the Fireflies Light the Bayou," composed by Mariam Gillespie (2 copies, 3 pages, handwritten and typed), 1946
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.
"When Two Hearts Beat As One," composed by Edgar Battle (1 page, handwritten), 1955
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.
"Whispering Pines," composed by Billy Mills (1 page, typed), 1949
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.
"Why Am I Blue Over You?," composed by Doc Bechtel (1 page, handwritten and typed), 1941
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.
"Why Shake the Apple Tree?," composed by Brandy Pasco and Andy Toce (1 page, typed), c.1945
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.
"You Ain't Seen Nothin' Yet," composed by Paul Wood (4 pages, handwritten), 1953
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.
"You Can't Do That to Me!," composed by Glory Casebier (1 page, typed), c.1938-1939
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.
"You Can't Do That to Me!," composed by Glory Casebier (1 page, typed and handwritten), c.1938-1939
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.
"You Can't Do That to Me!," composed by Glory Casebier (2 pages, typed), c.1938-1939
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.
"You Fill Me With Desire," composed by Doc Bechtel (1 page, handwritten and typed), 1940
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.
"You'll Be Just as Sweet at Sixty (As You Were At Sweet Sixteen)," composed by Harry Tobias and Henry Tobias (1 page, typed), 1981
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.
"Your Eyes Haunt Me Night and Day," composed by Paul Haney and Al Wiggins (1 page, handwritten), 1938
This collection includes manuscripts and published sheet music, correspondence, biographical materials, and manuscripts of two novels written by Ford.